Flow Within
Listen to the silent whispers of the river flowing within you. Let the water go where it’s meant to. And in the warmth of the sun’s light, find the same quiet certainty the river carries within its flow.

Fabric, thread
300 x 120 cm


I create sculpture and installation to give form to the subtle conversations between matter, light and space. I pursue elegance through the clarity and simplicity of forms.

Exhibited at the Reading Waters Exhibition
A. G. Leventis Gallery | Nicosia | 2025
Access
I connect elements in the space around me. I create paths and new situations, providing access and perspectives not explored before.

glass, stainless-steel wire
510 x 420 x 120 cm
Access | Site-specific art installation from conception to implementation




Space and context are always crucial in my creative practice. The work of art is the product of a conversation between the creative mind and a site. It evolves through a dialogue with its surroundings, highlighting, complementing, but also making a statement on its own.




Exhibited at the Point Centre For Contemporary Art | Nicosia | 2019
Persistence
Balance. A spot on the finest of lines. Who owns it? And what lies at the two ends of the spectrum? Through my work, I place the viewer in the position of confronting this great dilemma of the unknown – the experience of dichotomy and the thrill of knowing that what is at stake lies between salvation and destruction.

220 x 220 x 45 cm






Fall
I cut, I deconstruct, I dismantle. I never destroy. Unless each form is regarded as an assembly of elements, understanding is impossible. And oh! When these elements find their place again in a new unity, a meaningful experience unfolds.

120 x 120 x 220 cm



Rex
‘In vain did Father warn them, in vain did he entreat them
with magical gestures – he was not heard, nor heeded. The birds began to fall.
Hit by stones, they hung heavily and wilted while still in the air. Even before
they crashed to the ground, they were a formless heap of feathers.’Bruno Schulz | The night of the great season

Wood, wire fence, fabric, paper
200 x 140 x 60 cm





Exhibited at THOK’s Chartoptera Rex Parallel Events
Apothikes THOK Theatre | Nicosia | 2018
Passage
In this work, I explore the transitional capacity of art, as described by psychologist Donald Winnicott, through the process of construction–deconstruction–reconstruction. It is a process of evolution, of improvement, of healing. It is the process of life.

Wire fence
400 x 400 x 300 cm







What used to be a cage – a space made for confinement and restriction – is ripped apart and reconstructed into a space that is open and moving; a gate toward liberation and uplift.

Introversion
We want to be saved pulled from these depths but his hand opens that gesture swearing: Innocent!
Susan G. Ludvigson | Escaping the House of Certainty | 2006

Sand, iron nails, plastic, shoe
240 x 240 x 16 cm




Drawing the human figure
I draw lines. I create to explore relationships, to link the elements of the world, to find the connections between the tangible and the intangible inside me and around me.











Birds

Zincography (ink & sugar)
30 x 20,5 cm

Nine-ptych Linocut print
183 x 122 cm
Body Extension – an experiment

Metallic wire